[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] mins] Growing up: first job at newspaper; starting at Gaumont British News; first job as a cameraman; learning to use […]
[…] of pictures in England in that period, features and all kinds of things. Oh yes, he was a busy man.Roy Fowler: There was a fairly healthy English or British production organisation at that time, was there not?Eddie Dryhurst: Well it was struggling to be born in a sense I think. There were a lot of […]
[…] regularly? Jill Craigie: Yes, yes. It was wonderful, because the British films were coming into their own, and the American films […]
[…]s period you were talking about, I guess it’s around the time of Kes, there was a push to all-colour production by the end of the ‘60s. Almost all of British features were shot in colour. Do you… from your experience, was there, kind of, was there ever a push back from that. You know, mentioning Kes[…]
[…]ator 0:06 Yeah, I think that's good. That's good.Derek Threadgall 0:07 Okay. The copyright of this recording is vested in the British entertainment history project.Okay, good thing. Today is Monday 20th of June 2016. The interviewee is Howard Lanning, president of the British[…]
[…]was just being made, or just been made.SCL That leads on very appropriately in a way. You know that Rachael Low wrote several books of the history of British film.EC: Yes.SC: They were lists of films as much as anything. In there you are credited as the first film you actually had a title on was "Br[…]
[…] 1: You mean it was run by the British still? &nbs[…]
