Tilly Day (continuity) 1903-1994by admin — last modified Jul 28, 2008 04:32 PMBIOGRAPHY: Tilly Day worked on over 300 British films between the 1920s and 1970s, most particularly as ‘continuity girl’. Her career began at Walthamstow Studios in the 1917 and she received her first credit in […]
[…] of films there. Then I went back to...er Elstree, to British National...er, back to er...[sneezes]'scuse me, errm...Yes I finished Sound […]
[…] been made up to Assistant, so Paul was...Paul was er focus pulling...Errm... and I did a couple of films there. Then I went back to...er Elstree, to British National...er, back to er...[sneezes]'scuse me, errm...Yes I finished Sound City, then I went back to Elstree, cos Jimmy had moved during the […]
[…]track. 3. Independent FrameBL: Independent Frame was a process devised at Pinewood. At the end of the war Mr. Rank, J. Arthur Rank, thought that British films needed mechanising - almost mechanising - more scientific. He got a gang of scientists from Watson Watt, the radar men, down to Pinewood[…]
[…]you once the films out’. We were all absolutely correct. All the technicians were paid. How was it funded? Erm, well there was American and British Animal Welfare Charities; RSPCA; British Union for the Abolition of Vivisection; Millennium Guild in New York. There’s a much more developed a[…]
Elizabeth Furse DRAFT Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] I did two actually, I did two films in Switzerland. British films or, or...? British, yes, British. British, mm, mm. And, […]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]r. Without competition. I knew that by Stephen. BBC One I had a five for Venice on the 25th of October in 1966. I'd spent a year following around the British Council something we could never do these days. Actually, with the five artists concern, which are known as Tony Cairo, Danny Cairo, Robin Din[…]
