Search Results for: British Films

[…]nbsp;T Anne Fleming. Transcript. This transcript was originally produced automatically using Speechmatics, and has been edited by David Sharp for the British Entertainment History Project.This transcript has been edited to remove hesitation and repetition where it was felt that the speech recognitio[…]

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

[…]ajesh and it costs a lot of money keeping a film crew in Indianever filming your central character of your film. So I met him in a party given by the Britishambassador. Don’t know why we were invited but we were and he was there so I went up tohim and said Rajesh. “Do you or don't you want to be in […]

The copyright of this interview lies with the \british Entertainment History Project Peter Scott – My name is Peter Graham Scott. I was born in 1923, er…October the 27th. In East Sheen, which is near Putney, and near Richmond. My mother and father were living – they’d just got married; well the[…]

[…] manager of Columbia Pictures and was based in London. So, of course, he brought the family down and he stayed with them for a while, then he went to British Lion as assistant managing director to the late Sidney Myers, another character in the business, and then in his latter years of his career he[…]

[…]nt kettle of fish altogether. Much, much bigger. Production funded rather better and at that time, if I might be wrong, but I believe that they owned British lion, which owned the studio. I might be wrong on that. Maybe that might have come later. They certainly Swan around the studio as if they own[…]

[…]en I was sent the script of The Brothers.  I don’t think we had any ideas it was going to involve us for seven years and really it was the first British soap. The idea was that Gerry Glaister , who wrote and produced, and the two writers, Eric Pace and Norman Crisp , they were very good scripts[…]

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]