John Brabourne (Knatchbull)

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Angela Allen

[…]ested in the ACTT History Project. The Subject is Angela Allen interviewed by Linda Wood, November 27th 1990, File 168Honorary Member of the Guild of British Camera Technicians (GBCT) and was awarded the MBE (Member of the British Empire) in the Queen's New Year’s Honour's List in 1996. Film ti[…]

Anne Hanford

British Entertainment History Project Interview No. 710 Interviewee: Anne Hanford, formerly Head of Television Library Services at    the BBCInterviewer: Sue MaldenTranscriber:  Linda Hall-Shaw SUE MALDEN:  Thank you very much for talking to us Anne.ANNE HANFORD:  […]

Christine Collins

[…]her – I’ve got it written down here somewhere â€“ by I can’t remember who, never mind [laughs]. Anyway, they wereinterviewed because they had made films of wildlife for the cinema and so forth, and they were interviewed and showed a few films on television, hence that led to a short series of spe[…]

Sheila Collins

This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview […]

HP0024 Sheila Collins – Transcript

[…] transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie […]

Joy Batchelor

[…] Kay Mander: That would be for what, for the BFA, British Film Academy days? Or BAFTA? Joy Batchelor: BAFTA. And […]

Tom Peacock

[…] get mixed up with Shepperton, Pinewood, Denham, Riverside Studio, Gaumont- British, Fox in Wembley, all the studios that I worked […]

Johnny (Johnny) Goodman

[…] got the sack and I stayed on! And after another - whatever it was - a year or nine months, I finally got a break into the cutting rooms with Gaumont-British Instructional, on the top floor of Lime Grove. And I made all the mistakes that you do when you're training to be an editor. Dropping the cent[…]
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