[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]ppened to him. He made that one picture and he was going to make many more he told me, but he never did as far as I can make out.Wyn Ryder: He’s British.Reggie Beck: Yes. A ScotsmanWyn Ryder: Then we come back and I'll just read out the many, many Losey pictures. There's one early one[…]
[…]oting the Gainsborough films.00:17:05 – 00:27:10 Working conditions in the studio; after making a few films he started working with Herbert Wilcox at British and Dominion (B&D) in 1929; the first film was still silent; the first talkie they made was The Loves of Robert Burns; they then went on t[…]
[…]you once the films out’. We were all absolutely correct. All the technicians were paid. How was it funded? Erm, well there was American and British Animal Welfare Charities; RSPCA; British Union for the Abolition of Vivisection; Millennium Guild in New York. There’s a much more developed a[…]
The copyright of this interview lies with the British Entertainment History ProjectCornel Lucas – Transcribed by Linda Marchant28/09/2005Copyright interview – BECTU history project - Interview number 543.Recording 15.05 (AP – anonymous person audience)Interviewer: Cornel we’re here at BECTU he[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]at the end of the two years, I was asked what department I wanted to go iand I chose camera department.Alan Lawson  3:31  That was that was British National.Gerry Anstiss  3:32  It became British National it was Rock studios. And Fred Swan was the studio manager in those days. Ji[…]
[…] out of the RAF. And er, I've been here ever since...Jim Shields: You were a dubbing mixer then were you?Maurice Askew: We were over at G-BI [Gaumont British Instructional] at the time...Jim Shields: Yes, that was what decided, was it?Maurice Askew: Hmm. I hadn't had - you know I'd been a sort of ge[…]
