[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
BECTU History Project - Interview No. 101[Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1989-09-25Interviewer: Roy FowlerInterviewee: Norman FisherTape 1, Side 1Roy Fowler: Copyright of the foll[…]
50 Years of British TV Documentaries: A Diary of Decline, by a film editor – Simon Rose 2014 With his unique perspective […]
[…]tures or Universal Pictures. I should be on there, and the executive producer from America wrote an article for one of the trade magazines saying the British technicians had no verve, and all he wanted to do was break for tea which, as any technician of my time would know that's a load of rubbi[…]
[…]TA award today, but it was before BAFTAs.JH: Yes, it was for The Wrong Box. In those days, the award for costume, all their awards were very much for British films. Things made here, so you didn’t have the whole wide open market to contend with. So I got it for The Wrong Box, which was the first fil[…]
[…] university at Biarritz, an American university, that the Americans had established for members of their forces, that gave some guest scholarships to British servicemen, and I was lucky enough to go there, and I did a six month course of journalism there. I was invited to go to the University […]
