50 Years of British TV Documentaries: A Diary of Decline, by a film editor – Simon Rose 2014 With his unique perspective […]
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]e. I suppose I kept my thoughts to myself a great deal. But I do recall that at the age of eight, I first began to think about what we were doing, we British were doing in Ireland, and beginning to object to it. At eight in a dark kitchen in a in a house in Pembrokeshire. Colin Moffat&nbs[…]
[…] before entering the film industry as a sound engineer at British Instructional films in Welwyn, working on early sound films […]
[…]at the end of the two years, I was asked what department I wanted to go iand I chose camera department.Alan Lawson 3:31 That was that was British National.Gerry Anstiss 3:32 It became British National it was Rock studios. And Fred Swan was the studio manager in those days. Ji[…]
[…]s at every subject except arithmetic. I was in my own words a genius at arithmetic and I won five scholarships and eventually ... because I was not a British subject I couldn't get the scholarships. But I went in for one when I was fourteen and a half called the Trade Scholarship because my school l[…]
BECTU History Project - Interview No. 17 [Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1987-09-16Interviewer: Roy FowlerInterviewee: Reg SuttonSound recordist: Taffy HainesTape 1, Side 1&n[…]
[…] for costume for all their awards were very much for British films. SPEAKER: F1 Things made here say you didn't have […]
[…] Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video Council Interview Date: 1987-09-16 Interviewer: […]