[…] Canadian battery a Canadian regiment again they were very generous. The Canadians they obviously all were equipped and supplied much better than the British Army. They had plenty of cigarettes and plenty of booze and all this sort of thing which they shared with the studio quite happily. And then w[…]
[…]with include George Pearson, Graham Cutts, Sinclair Hill; after Stoll DD was a lighting cameraman; in 1925 only one film was being made in all of the British Empire which DD worked on as a camera assistant – Satan’s Sister starring Betty Balfour; discussion of the British Quota Act of 1927; this was[…]
[…]g Life in black-and-white.PF: What was that experience like then, working on This Sporting Life, obviously being now hailed as a classic of British cinema and the New Wave?PL: Well Lindsay Anderson was a lovely man, and I was set decorator, and of course it was great because I knew quite a[…]
[…]ric and out in Japan. And, after I had got my notice, after the amalgamation of HMV and Columbia, somebody said ‘D P Field’s at a studio called British and Dominion Forms out at Boreham Wood, Elstree, go and see him. I think he might find you a job’. I went out there to see him.&nb[…]
[…]to me and I had got this gladiator’s helmet and he said to me ‘what’s this?’ I said ‘it’s a gladiator’s helmet’ cause I had cobbled it from the British Museum. ‘Oh that’s a funny sort of hat’. I was a really stroppy git when I was a kid, I mean, I was really balshy, you know.[…]
[…] provided in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie […]
[…]t that time we had our soldiers were out shooting people in Cyprus and, you know, and Tanganyika andROY LOCKETT 4Kenya, and it was a kind of like the British Army wasn’t distinguishing itself by its, its noble [Laughter] work in my view so the last thing I wanted to do was to join the Army, and[…]
