[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]evastopol, for which he was given seven years off of his twenty-five year army period.Sidney Cole: Because Sevastopol was the siege wasn't it, by the British and French armies?Charles Cooper: The siege of Sevastopol, the British and French, yes. There were three battles - Inkerman, Scoram and Sevast[…]
[…]formation but information. And during this on one of my holidays I scrounged a visit to, I've forgotten the dear old publicity man's name, at Gaumont British in Lime Grove, can't remember his name, anyway I went and found the studio and there they were, they were shooting one of the Aldwych farces a[…]
[…] been financing all the film production in England. So -called British films were being financed by America. So as a result […]
[…]ional scientific.Peter de Normanville 19:55 I'll fill that in later. I can't remember. Anyway, I won it quite a few times. It was for the British Association for the Advancement of Science. I won it quite a few times, I had a rather soft habit. And on one occasion, the presentation was m[…]
[…] Film Laboratories. In 1980 he became involv ed with the British Kinematograph Sound and Television Society (B SKTS ) and […]
BEHP 0721T Norman J Warren TranscriptBritish Entertainment History Project – Interview No. 721 Thursday 5th April 2018INTERVIEWEE – NORMAN J. WARREN, DIRECTOR INTERVIEWER – MARTIN SHEFFIELDTranscriber – Linda Hall-ShawMARTIN SHEFFIELD: Over to you No[…]
[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]
[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]
[…]m Unit", "TIDA", and making films about Britain for sending abroad. You can go by its title, and. [00:14:30] I: It's kind of a forerunner of the British Council? [00:14:33] Yes indeed. And on the staff there working was Alan Izod as editor. Margaret Thompson as editor, Frank Bundy as occas[…]
