[…]I was interested in films all my life, I mean when ever any new Russian film came over or a new French film, I went to see it, and all the well known British and American films.Charles Drazin: Now at that time it was quite difficult to see Russian films, they were very much frowned upon.Manny Yospa:[…]
[…]rvey? who at that time ran the railways and harbours obviously for Kenya, Kenya, Uganda and Tanzania. They the Kenya railways are supposed to be like British Rail had had not fantastic publicity  the press write us, they tend to break down quite a bit. And so they wanted to do a bit of public r[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]t I did get an introduction to Elstree. There was a man who I think was still a name in the city, called Scringer and he was a director of Associated British Picture Corporation which as you all know was founded by John Maxwell. And I think at that time the Associated British had a rather large over[…]
[…]arles Wilder: Yes. I did that one, that was at Shepperton. I did most of the films at Shepperton. Because I was partly under an agreement to work for British Lion at one time but Maurice Ostrer wouldn't - I was still working for the Ostrers and he wouldn't sign the agreement so I just carried on wit[…]
[…] imperative. This article focusses on a case study of multi-award-winning British costume designer Julie Harris (1921-2015), plotting and analysing traces […]
[…]oke, with the Schufftanprocess, very, very good shot for that periodRoy Fowler: The other famous one usually pointed to is one of the Hitchcocks, the BritishMuseum sequence in not Sabotage, I think it was SabotageMaurice Carter: Sabotage was made at the Bush, of course. Vetch and I worked on The39 S[…]
[…]he sound department won a Hollywood Oscar in 1939 for the sound recording on Goodbye Mr Chips which starred Robert Donat and I think it was the first British film to achieve this award.Peter Musgrave: Western Electric came from America. Where did Visatone come from?John Aldred: Visatone was manufact[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
