[…] that probably was a wise move actually because it just meant that it could be done by other people as well as…I mean, your project is defined around British films, and the contribution to British films so, in that sense what happened over in America isn’t so relevant I guess, but there were variati[…]
[…] 41:07 No that when Cavalcanti left Ian Dalrymple was brought in who was a highly professional former supervising editor of Gaumont British and then a writer for Korda and who actually directed a film with John Mills I can't remember its title as a feature film but he was hig[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]s, I think we were lucky in that. It did have attention. I mean, I think that was great to help by the Boulting brothers, who were then running British Lion that actually had his own short department division. Prior to that, I, I really walked out of or ran away and away to Paris. To stu[…]
[…] Jul 27, 2008 02:38 PM BIOGRAPHY: Gordon McCallum entered the British film industry in 1935 as a loading boy for […]
[…] the name The Archers. They produced a series of classic British films. [xxiv]Research req uired [xxv]Walter Lassally (1926 -) A German […]
[…]bs of these films. Every time a change was made, the new film stocks were introduced with technical papers at technical conferences run by the BKSTS (British Kinematograph Sound and Television Society) and also in the US the SMPTE (Society of Motion Picture and Television Engineers). I was involved […]
The copyright of this interview lies with the \british Entertainment History Project Interview with Lusia KrakowskaLusia Krakowska, Film Editor Interviewer Roy FowlerRecorded on the 23rdJanuary 1998Side One:RF: The date is 23rdJanuary 1998 and we're recording Lusia Krakowska, that is L-U-S-I-A […]
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
