[…]ppened to him. He made that one picture and he was going to make many more he told me, but he never did as far as I can make out.Wyn Ryder: He’s British.Reggie Beck: Yes. A ScotsmanWyn Ryder: Then we come back and I'll just read out the many, many Losey pictures. There's one early one[…]
[…] of sound he moved to England, working initially for Phonofilm/ British Talking Pictures. When they folded he bought their library […]
[…] I watched how David Green worked who w as a British director we had [unclear] gradually, I began to read […]
[…] Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video Council Interview Date: 1987-09-16 Interviewer: […]
[…]– Fuji were doing exactly the same thing.[00:35:05]PF: Just talking about Fuji there then Brian, did they ever really have much of an impact on British film production would you say?BP: Yes, very much so.PF: When really did that start?BP: It started in the late-70s really and they became quite[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]ferred from nitrate stock to [unintelligible].SC: Mm, that is a problem. What was the company called?RP: Master Films [Master Film Company aka Master British Films] and a man called Salomaire [?] owned the studios then. Actually Charlie Wheeler once said to me he remembered working as a prop man the[…]
BECTU History Project - Interview No. 381 The Copyright of this interview with Larry Allen is the copyright of the British Entertainment History Project. To use contach the Secretary Sue Malden sue.malden@btinternet.com Transcription Date: 2002-07-08Interview Date: 1996-04-11&nb[…]
