[…]l, he came down. Billy Shenton also came down and did some extra scenes, or some extra camerawork. We also did some experimental sound recording with British Acoustics but it was a full width track and the picture camera had it's two back legs in a special kind of booth in the sound van and it was a[…]
[…] years back! And I took him to Bowden House the British photographic museum, and he was amazed, you see. So […]
[…]d be an amateur theatricals and things like that, but nothing more.So how long did you stay at Wharton Hall?I stayed there until really sound came in British Acoustic andTimeline when roughlythat was 1929. I remember I sort of half joined the sound department of it with Stuart Rome. He came over and[…]
The copyright of this interview lies with the British Entertainment History Project Interviewer Sidney ColeAdditional questions by Roy Fowler Interviewee Una BartDate 19 June 1991SC: Una when and where were you born? UB: I was born in Brixton in the Brixton Road, 82 years ago, last May, of prof[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]r, as being possibly a good story and a very necessary story, of course, we obviously in those early years were suffering very bad propaganda for the British. Ah, so I made this, er, originally twenty minute film about the full operation of submarines attacking Rommel's convoys.Alan Lawson: Ah-ha.Da[…]
[…]nd from the earliest time that I remember him, he was head Brewer at Meux's Brewery Limited in in London, which was practically on the site where the British Film Institute later was in in the corner of great Russell Street. And I think this site was sold way back in the 20s. The Dominion Cine[…]
