Search Results for: British International Pictures

[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]

[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]

[…] extra camerawork. We also did some experimental sound recording with British Acoustics but it was a full width track and […]

[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

[…]bs of these films. Every time a change was made, the new film stocks were introduced with technical papers at technical conferences run by the BKSTS (British Kinematograph Sound and Television Society) and also in the US the SMPTE (Society of Motion Picture and Television Engineers). I was involved […]

[…]s, I think we were lucky in that. It did have attention. I mean, I think that was great to help by the Boulting  brothers, who were then running British Lion  that actually had his own short department division. Prior to that, I, I really walked out of or ran away and away to Paris. To stu[…]

[…] world. I um...Sidney Cole: You made for London then, did you?Bernard Vorhaus: Yes. And I was offered a job as a production assistant for a company - British Talking Pictures - it was - it was an offshoot, they had Wembley Studios.Sidney Cole: That's right, I remember, yes.Bernard Vorhaus: And -Sidn[…]

[…]Harry Watt pioneered, as you were saying, and it was a tremendous step forward. But for many years I used to say to Edgar [Anstey] in the old days of British Transport, I'd say, "What a pity we can't do a little more dialogue shooting, I'm sure it'll be a good idea, you know. In certain films we cou[…]

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

[…] the film industry as a page boy at the Gaumont- British Studios at Lime Grove (Shepherd’s Bush) at the age […]