[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] disintegration of a nation. Had an affinity with Luftwaffe prisoners. British treatment of the war as a sport. An attitude […]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW No 805 PETER WILLIAMS (PW) INTERVIEWED BY MARTIN SMITH (MS) RECORDED at SWALE MEDIA ARTS CENTRE, SITTINGBOUNE KENT on 03 November 2021 Commenced 12.30pm; total duration 2h 47m PART 1TDF 14646_01 (RE-START AT 0[…]
[…] that probably was a wise move actually because it just meant that it could be done by other people as well as…I mean, your project is defined around British films, and the contribution to British films so, in that sense what happened over in America isn’t so relevant I guess, but there were variati[…]
[…]r. Without competition. I knew that by Stephen. BBC One I had a five for Venice on the 25th of October in 1966. I'd spent a year following around the British Council something we could never do these days. Actually, with the five artists concern, which are known as Tony Cairo, Danny Cairo, Robin Din[…]
[…]of the Potters Bar Cine Society, I got involved with the IAC, which is the Institute of Amateur Cinematographers, who among other things run a yearly international competition for the Daily Mail Award, and you get films and videos nowadays from all over the world in the competitions. And then subseq[…]
