[…]r. Without competition. I knew that by Stephen. BBC One I had a five for Venice on the 25th of October in 1966. I'd spent a year following around the British Council something we could never do these days. Actually, with the five artists concern, which are known as Tony Cairo, Danny Cairo, Robin Din[…]
[…]of the Potters Bar Cine Society, I got involved with the IAC, which is the Institute of Amateur Cinematographers, who among other things run a yearly international competition for the Daily Mail Award, and you get films and videos nowadays from all over the world in the competitions. And then subseq[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]oting the Gainsborough films.00:17:05 – 00:27:10 Working conditions in the studio; after making a few films he started working with Herbert Wilcox at British and Dominion (B&D) in 1929; the first film was still silent; the first talkie they made was The Loves of Robert Burns; they then went on t[…]
[…]ct people’s memories? I’ve always been immensely interested in motion pictures generically and generally and I suppose specifically in the British film industry. I was aware of it from very early age, sort of around the age of eleven I was determined to, to work in it as a profession and,[…]
[…]t a – because I’d never in television – I haven’t a clue whether the next personthrough the door with a programme idea is, you know, the Rembrandt of British televisionor whether they were last seen selling villas in Lanzarote, you know, I don’t knowanything about their track record. So would you ju[…]
