[…]th it. And if you like, what I knew better than Tesler did was that you can go on doing the same thing as long as you wrap it up a bit different. The British public don't, if they like a thing it's just a matter of finding a different way of presenting things.So anyway I can't pretend I was that con[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]ifferent parts of the studio, you see?  ROY FOWLER: It was one large stage?HARRY MILLER: Yes, well they had two very large. This was British International Pictures, Elstree, and you’d have three units, a Hitchcock and, I can’t remember at the moment, Monty Banks, Wilcox, all the old[…]
[…]ly. In fact, if I may digress for a few seconds Gaumont Kalee which was a rank company part of rank film equipment was a company which had existed as British Acoustics for a great many years. And in my view was a very much underrated company. I believe they made first rate equipment. And if they had[…]
[…]estern." So the Western Electric...Bob Allen: Can I just interrupt there, just to clear up a little point for people listening - this was the Gaumont-British, or British Acoustics, rather...Mickey Hickey: The British Acoustics, yeah.Bob Allen: The British Acoustics system, which actually was a Danis[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]ribly tedious. It was all 35mm black and white which was reduced to 16mm for release printing.John Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot on Kodachrome, and blown up to Technicolor Dye transfers. Which was quite satisfacto[…]
[…] looked around for something else that would use my zoology and would give me a satisfying life. And I had the greatest good luck to hit upon Gaumont-British Instructional, who at that time, were making a great number of natural history and zoological films under the guidance of Julian Huxley, and P[…]
[…]rated during my sojourn in Manchester I was able to anticipate a repetition during its normal run at Edinburgh. With the City due to stage the (then) British Commonwealth Games in the summer of 1970, it was agreed the premiere could double as a fund raiser for promoting this event and be staged on a[…]
