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[…] Studios, Cricklewood in 1928. He remained with Wilcox, moving to British and Dominions at Elstree and working on films such […]
Search Results for: British International Pictures
The Girl You Don’t See: Julie Harris and the Costume Designer in British Cinema
[…] imperative. This article focusses on a case study of multi-award-winning British costume designer Julie Harris (1921-2015), plotting and analysing traces […]
Roger Bernard Newbold Smither
BEHP Interview No 0726t Roger Smither (RS). Transcript. Interviewer: Murray Weston (MW). MW: This interview is No 726 for the British Entertainment History Project. The subject, the interviewee, is Roger Smither, and I’m Murray Weston, interviewing.Now Roger, we start as with most of these[…]
Jimmy Wright
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
Rodney Giesler
[…]ribly tedious. It was all 35mm black and white which was reduced to 16mm for release printing.John Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot on Kodachrome, and blown up to Technicolor Dye transfers. Which was quite satisfacto[…]
L P (Bill) Williams
[…]hich I went to the Architectural Association, where I did a 5-year course in architecture and in 1928 I became an associate of the Royal Institute of British Architects. Uh, during the time I was a student, I happened to be walking to the Tube one day with a friend of my father's, another doctor, an[…]
rodney-giesler-hp-interview-transcript
[…] Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot […]
“The Coming of the Projectionettes”: Women’s Work in Film Projection and Changing Modes of Spectatorship in Second World War British Cinemas
[…] In December 1940, S G Rayment, the editor of the British trade publication the Kine Yearbook, noted ‘a certain interesting […]
Stanley Watkins
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
Robert M (Bob) Angell
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]