[…]y SamuelsonInterviewee: Erica MastersTape 1, Side 1Sydney Samuelson: Well we're sitting here on the 2nd August 1995. We're in the meeting room of the British Film Commission, at 70, Baker Street in London, and the interviewee is no less than Miss Erica Masters, a legendary production person in our i[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]that for a very long time, that movie." But it did me a lot of good you see, it was the first major picture I made, you see.Roy Fowler: That was British National, was it not? The production, did they finance it, British National?Vernon Sewell: No, it was an Alexander Korda film.Roy Fowler:[…]
[…]rated during my sojourn in Manchester I was able to anticipate a repetition during its normal run at Edinburgh. With the City due to stage the (then) British Commonwealth Games in the summer of 1970, it was agreed the premiere could double as a fund raiser for promoting this event and be staged on a[…]
[…]u better write to him again. So she did and to cut a long story short aletter came saying would I go and see John Corfield at Golden Square, whichwas British National headquarters, I think it's now where the Granadabuilding is. I didn't know, what for so one November day in 1935 I wentup there and w[…]
[…]                    1: You mean it was run by the British still?                      &nbs[…]
[…]times a week! [Chuckles] Roy Fowler: Yes. In those days what kind of comparison, as a filmgoer, did you make between the Hollywood films and the British films? Andy Worker: Well they were all good - in fact they were all better than they are today I think. And you know, one had favourites […]
