[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview […]
[…]sing the result of a motorboat race. And that began my being terribly interested in editing.I worked on a few more pictures at Ealing and the went to British International Pictures at Elstree which is still there and still Very much as they were in those days. That happened out of the blue. One of t[…]
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW No 805 PETER WILLIAMS (PW) INTERVIEWED BY MARTIN SMITH (MS)   RECORDED at SWALE MEDIA ARTS CENTRE, SITTINGBOUNE KENT on 03 November 2021 Commenced 12.30pm; total duration 2h 47m PART 1TDF 14646_01  (RE-START AT 0[…]
[…]you once the films out’. We were all absolutely correct. All the technicians were paid. How was it funded? Erm, well there was American and British Animal Welfare Charities; RSPCA; British Union for the Abolition of Vivisection; Millennium Guild in New York. There’s a much more developed a[…]
