Search Results for: British National

[…]was - we had very ancient equipment, it was Gaumont Chronos.Alan Lawson: Blimey!David Robson: They were originally designed for the silent days, with British Acoustic pull-through sound heads on the bottom. Lovely. That part of it was lovely. And a 25 amp - so low-intensity - arcs and the front shut[…]

[…] Anyway, sorry. But just an interesting point, because I always recall was such a pleasure leaving Crown  film in it and joining Edgar Anstey at British Transport  films in Savile Row where everything was on safety stock, so didn't have to worry about yeah, that's always wonderful. lovelyl[…]

[…] advantage I was really inspired by Frank Capra's Why We Fight the series, which was to mine mine the model of what what I would do but from from the British point of view. And this was I think, where an editor did come in I mean, I thought thought that this was an opportunity for an answer is that […]

BECTU History Project - Interview No. 17 [Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1987-09-16Interviewer: Roy FowlerInterviewee: Reg SuttonSound recordist: Taffy HainesTape 1, Side 1&n[…]

[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]