[…] Robson: They were originally designed for the silent days, with British Acoustic pull-through sound heads on the bottom. Lovely. That […]
[…] was Blattner Studios. It was Leslie Fuller Studios. It was British National studios. Peter Birch : Yes I remember Blattnerphone, I […]
[…] of sound he moved to England, working initially for Phonofilm/ British Talking Pictures. When they folded he bought their library […]
[…] was um, the very first, now I trained her at British National, years ago. Sidney Cole: Who was that? Tilly Day: […]
[…] industry before the war, I think he was secretary of British National, as far as I remember, something like that. But […]
[…] a few more pictures at Ealing and the went to British International Pictures at Elstree which is still there and […]
[…]you once the films out’. We were all absolutely correct. All the technicians were paid. How was it funded? Erm, well there was American and British Animal Welfare Charities; RSPCA; British Union for the Abolition of Vivisection; Millennium Guild in New York. There’s a much more developed a[…]
[…]ctor who ever lived. One would be there on the set and listen to him, a Hungarian who was not very good at English giving line readings to British actors, you know it was a bit of a revelation and they would look at him but they did do their best. I don’t know if you know much […]