COPYRIGHT: No use may be made of any interview material without the permission of the British Enterrtainment History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the British Entertainment History Project (formerly the ACTT History Project) and the ri[…]
[…]he sound department won a Hollywood Oscar in 1939 for the sound recording on Goodbye Mr Chips which starred Robert Donat and I think it was the first British film to achieve this award.Peter Musgrave: Western Electric came from America. Where did Visatone come from?John Aldred: Visatone was manufact[…]
BECTU History Project - Interview No. 101[Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1989-09-25Interviewer: Roy FowlerInterviewee: Norman FisherTape 1, Side 1Roy Fowler: Copyright of the foll[…]
[…] and they've got to learn with me the right way.Roy Fowler: You make your beginnings sound very quixotic, would you say they were typical of the British film industry in the early, middle 30s.Peter Tanner: I really don't know. I can only speak for myself.Roy Fowler: Have you ever read[…]
[…]track. 3. Independent FrameBL: Independent Frame was a process devised at Pinewood. At the end of the war Mr. Rank, J. Arthur Rank, thought that British films needed mechanising - almost mechanising - more scientific. He got a gang of scientists from Watson Watt, the radar men, down to Pinewood[…]
[…] I went to see it, and all the well known British and American films. Charles Drazin: Now at that time […]
[…] people had already died, Americans as well, as well as British and all the various Allies that were fighting there. […]
[…] transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie […]
[…] 16 Leonard Sachs (1909 -1990) was a South African born British actor. Is films included Face in the Night (1957) […]
[…] Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video Council Interview Date: 1989-09-25 Interviewer: […]
