[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]omplain too much to me! I'm sure he disapproved most emphatically about it, but anyway they tolerated it. And so I was just sixteen when I started at British & Dominions at Elstree.Alan Lawson : How did you get the job?Gordon McCallum : By writing...that's all. My father did know somebody in the[…]
[…]ell I'll go back and check with him because I think I'm screwing up and this is the head of production of Fox talking to me. I mean I just the humble British cameramen over there to make a film. And I find myself in this position but the they were so frightened of him. I went back to John and said t[…]
[…] entered the film industry in the early 1930s at Gaumont- British under the apprenticeship scheme run by Ian Dalrymple. He […]
[…] invaluable historical overview of Britain’s film labs, go to http://www.brianpritchard.com/ British%20Labs.htm). His career spanned much of the twentieth century, from […]
The ‘Girls Like Us: British Women and WWII Cinema’ season continues at the National Film Theatre in May with more […]
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
