[…]cks 6-8 ends 0:16:36 Tracks 8-10 to end of tape Tracks 11-14
COPYRIGHT: No use may be made of any interview material without the permission of the British Entertainemnt History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (for[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] In December 1940, S G Rayment, the editor of the British trade publication the Kine Yearbook, noted ‘a certain interesting […]
[…]d she had - amongst many of her clients - she had a lady whose husband happened to be at that time the general sales manager of a film company called British Lion Film Corporation. And Sidney Myers was looking, or somebody within British Lion was looking for some young blood, and Mrs Myers happened […]
BEHP Interview No 0726t Roger Smither (RS). Transcript. Interviewer: Murray Weston (MW). MW: This interview is No 726 for the British Entertainment History Project. The subject, the interviewee, is Roger Smither, and I’m Murray Weston, interviewing.Now Roger, we start as with most of these[…]
[…]plays.VG: That came later in my teens when I went into, I went on stage to start with and then I did odd things in films for Warner Brothers and BIP [British International Pictures] and I worked a lot with Lupino Lane.RF: Just to wrap up on school did you have any encouragement on writing there.&nbs[…]
[…]ribly tedious. It was all 35mm black and white which was reduced to 16mm for release printing.John Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot on Kodachrome, and blown up to Technicolor Dye transfers. Which was quite satisfacto[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] been made up to Assistant, so Paul was...Paul was er focus pulling...Errm... and I did a couple of films there. Then I went back to...er Elstree, to British National...er, back to er...[sneezes]'scuse me, errm...Yes I finished Sound City, then I went back to Elstree, cos Jimmy had moved during the […]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
