Peter Sargent

[…]t were alright on the music-halls to the talkies, as second features, and my treat used to be when I was you ng to go out to Elstree to the old BIP - British International Pictures - where he was working, and watch the filming. It never dawned on me that I'd like to do it... It simply seemed an easy[…]

Peter Proud

[…]p;cousin of my mother-in-law, Jewish mother-in=-law and my living father-in-law whowas consultant to the British Empire Pasteur Institute had avery...........when the war with Hitler comes go into cam[…]

Harry Miller

[…]ifferent parts of the studio, you see?   ROY FOWLER: It was one large stage?HARRY MILLER: Yes, well they had two very large.  This was British International Pictures, Elstree, and you’d have three units, a Hitchcock and, I can’t remember at the moment, Monty Banks, Wilcox, all the old[…]

Gordon Courcha

[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Peter Suschitzky

[…]istic work, but I think it was probably the right choice for the film anyway to make it look real. And I guess I have to recognise that everything in British cinema surrounding me at that time, everything I liked was in the same manner, shot in the same manner, naturalistically. Mostly, not everythi[…]

Alan Masson

[…]bs of these films. Every time a change was made, the new film stocks were introduced with technical papers at technical conferences run by the BKSTS (British Kinematograph Sound and Television Society) and also in the US the SMPTE (Society of Motion Picture and Television Engineers). I was involved […]
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