Search Results for: British National

[…]uy, the guy that sacked me...Was smoking?Was, was actually gave me one of his own fags the night before.Yes.In the room that...Yes.And that, and, mm, British and, B&D got... [Pause] No.[OI] BIP you mean?BIP.[OI] Yes.No, I worked at BIP’s. B&D’s got burnt down.[OI] Yes.36And, mm, got burnt do[…]

[…]p;cousin of my mother-in-law, Jewish mother-in=-law and my living father-in-law whowas consultant to the British Empire Pasteur Institute had avery...........when the war with Hitler comes go into cam[…]

[…]ifferent parts of the studio, you see?   ROY FOWLER: It was one large stage?HARRY MILLER: Yes, well they had two very large.  This was British International Pictures, Elstree, and you’d have three units, a Hitchcock and, I can’t remember at the moment, Monty Banks, Wilcox, all the old[…]

[…] with that, looking for films that would make an identifiable British avant-garde, contribution to the avant-garde, and so he was, […]

[…] provided in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie […]

[…] transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie […]

[…] Gick trained at the Architectural Association. She began working in British films as an assistant to Art Director Edward Carrick […]

[…] Kay Mander: That would be for what, for the BFA, British Film Academy days? Or BAFTA? Joy Batchelor: BAFTA. And […]