[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]
[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]
[…] I watched how David Green worked who w as a British director we had [unclear] gradually, I began to read […]
[…] of Mecca of the revivalist movement to try and get British Infantry tactics into some shape and there were about […]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]materialistic. You got a job immediately, you could work.Interviewer (unidentified): When did you get a job?Jill Craigie: Well I was working with the British Council, and that increased during the war.Interviewer (unidentified): How did that start?Jill Craigie: I wrote something and sent it in. I wa[…]
[…]y SamuelsonInterviewee: Erica MastersTape 1, Side 1Sydney Samuelson: Well we're sitting here on the 2nd August 1995. We're in the meeting room of the British Film Commission, at 70, Baker Street in London, and the interviewee is no less than Miss Erica Masters, a legendary production person in our i[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]eft school then?Leonard Harris: Oh yes that's right, well I always wanted to get into the film business and just before I was due to leave school the British Kinemograph Society arranged a course at the London Polytechnic, Regent Street, you know, for kinematography. A two-year course it was, every […]