[…]ribly tedious. It was all 35mm black and white which was reduced to 16mm for release printing.John Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot on Kodachrome, and blown up to Technicolor Dye transfers. Which was quite satisfacto[…]
[…] Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot […]
[…]at which point Alex sacked us all - or at least all the lower grades - because they were moving to Denham. So, October 1935 I got myself a job at Fox-British, again in the publicity department, with a very very clever young man called Geoff Davis who did the most wonderful cartoons. And our chief jo[…]
[…]l with me and said there was plenty of work that I could do, it was ridiculous. And in fact I got a job thenwith... oh gawd. I think they were called British... oh, here we are, I’ve probably writtenit out here. ’51... British Industrial Films. John Curtois [ph]. And they were makingactually fi[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
