[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]ah sure, why not?Tom Peacock: So I would go. Now when I start reminiscing I get mixed up with Shepperton, Pinewood, Denham, Riverside Studio, Gaumont-British, Fox in Wembley, all the studios that I worked in you see. When they were busy I would nip in - MGM, and all that you see. But there was 'Cleo[…]
[…]ifferent parts of the studio, you see?  ROY FOWLER: It was one large stage?HARRY MILLER: Yes, well they had two very large. This was British International Pictures, Elstree, and you’d have three units, a Hitchcock and, I can’t remember at the moment, Monty Banks, Wilcox, all the old[…]
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]t was full anyway. And frankly, it was only when Peter told them that he'd been offered a job by Transport. Edgar had moved to Transport by then. RG: British Transport Films. SE: that they eventually said, "No, no, don't, you know, you'll be a director writer," ...he'd done a bit of directing here a[…]
