John Allen

[…] Canadian battery a Canadian regiment again they were very generous. The Canadians they obviously all were equipped and supplied much better than the British Army. They had plenty of cigarettes and plenty of booze and all this sort of thing which they shared with the studio quite happily. And then w[…]

Nancy Thomas

This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History ProjectInterview n[…]

Marion Grierson (Taylor)

[…]sion would be made for that purpose another version would be made for instructional purposes in parts of Africa and perhaps another version still for British schools. This explains the number of edits and explains whether there were some editions that were silent and some with sound. MT: By thi[…]

Harold Myers

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Douglas Slocombe

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Tom Peacock

[…]ah sure, why not?Tom Peacock: So I would go. Now when I start reminiscing I get mixed up with Shepperton, Pinewood, Denham, Riverside Studio, Gaumont-British, Fox in Wembley, all the studios that I worked in you see. When they were busy I would nip in - MGM, and all that you see. But there was 'Cleo[…]

Harry Miller

[…]ifferent parts of the studio, you see?   ROY FOWLER: It was one large stage?HARRY MILLER: Yes, well they had two very large.  This was British International Pictures, Elstree, and you’d have three units, a Hitchcock and, I can’t remember at the moment, Monty Banks, Wilcox, all the old[…]
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