[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview […]
[…]m Unit", "TIDA", and making films about Britain for sending abroad. You can go by its title, and. [00:14:30] I: It's kind of a forerunner of the British Council? [00:14:33] Yes indeed. And on the staff there working was Alan Izod as editor. Margaret Thompson as editor, Frank Bundy as occas[…]
[…]estern." So the Western Electric...Bob Allen: Can I just interrupt there, just to clear up a little point for people listening - this was the Gaumont-British, or British Acoustics, rather...Mickey Hickey: The British Acoustics, yeah.Bob Allen: The British Acoustics system, which actually was a Danis[…]
