[…]r. Without competition. I knew that by Stephen. BBC One I had a five for Venice on the 25th of October in 1966. I'd spent a year following around the British Council something we could never do these days. Actually, with the five artists concern, which are known as Tony Cairo, Danny Cairo, Robin Din[…]
[…]our movie, they would still work in the same way, and do their homework before they arrived on the floor in the morning. TB: Are there any British directors who...? AY: Erm, erm, British directors’ erm, well only of late. But the Hammer, the Hammer, Terry Fisher for insta[…]
[…]r spoke to the school and asked whether they would take me on. I was 12 ½ then as a refugee. Because the British government was admitting children on condition there was a guarantor. And they did that[…]
[…]r, as being possibly a good story and a very necessary story, of course, we obviously in those early years were suffering very bad propaganda for the British. Ah, so I made this, er, originally twenty minute film about the full operation of submarines attacking Rommel's convoys.Alan Lawson: Ah-ha.Da[…]
BEHP 0719 T REN ÉE G LYNNE Transcript British Entertainment History Project – Interview No. 719 26 th January 2018 […]
[…] and servants, and they wanted a very kind of upright British character which he hadn't been able to find in […]
BEHP 0720 T RENÉE GLYNNE TranscriptBritish Entertainment History Project – Interview No. 720 26th January 2018INTERVIEWEE – RENÉE ALMA GLYNNE INTERVIEWER – DARROL BLAKE Transcriber – Linda Hall-ShawDARROL BLAKE: So, can you tell me your name and[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview […]
