[…]re the cinemas like, and how much did you have to pay to get in?Dicky Leeman: Well I can remember, at a later period when I was an actor, the Gaumont-British up in Kilburn - because I lived in Golders Green - if it was a very wet day, I would go round the agents looking for a job, and then in the af[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]of events, but I certainly at some point along the line there, I did some work for, I think it was called GB-I. What was that...Stephen Peet: Gaumont British Instructional.Philip Leacock: Yes. And they were very anti-union. Now that's the first thing I really remember, it was recruiting ACT members […]
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]knowledge, in about 1927-28 to Pathé and was a camera man for Pathé Gazette and then, whensound started, he joined Fox Movie Tele-news. Now, or then, British Movietone is. He went tothe States to learn the technique of sound coverage and came back, continued to be their ChiefCamera man until about 1[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
Eileen Diss (1931-) is a British theatrical designer. After studying at the Central School of Art she worked at the […]
[…] Maurice Elvey was one of the most prolific directors in British cinema history, directing over 300 feature films between 1917 […]
[…] and they wrote back and said no, we will pay you (laughs). I couldn't get over it; we will pay you nine pounds a week2 Roy Oxley (1899-?) was a British production designer at the BBC, he won a BAFTA for his work on The Portrait of a Lady in 1969.3 Peter Bax was a production desi[…]
