[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]l with me and said there was plenty of work that I could do, it was ridiculous. And in fact I got a job thenwith... oh gawd. I think they were called British... oh, here we are, I’ve probably writtenit out here. ’51... British Industrial Films. John Curtois [ph]. And they were makingactually fi[…]
[…]ional scientific.Peter de Normanville 19:55 I'll fill that in later. I can't remember. Anyway, I won it quite a few times. It was for the British Association for the Advancement of Science. I won it quite a few times, I had a rather soft habit. And on one occasion, the presentation was m[…]
[…]m Unit", "TIDA", and making films about Britain for sending abroad. You can go by its title, and. [00:14:30] I: It's kind of a forerunner of the British Council? [00:14:33] Yes indeed. And on the staff there working was Alan Izod as editor. Margaret Thompson as editor, Frank Bundy as occas[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]
[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]
[…]l Film Center was formed when he remained in charge and then he was Film Centre and then Arthur became involved as well, I suppose really when he was British Transport Films, the end of the war, Arthur came back and they must have formed Film Centre then because this Approach to Science film I was m[…]
[…] advantage I was really inspired by Frank Capra's Why We Fight the series, which was to mine mine the model of what what I would do but from from the British point of view. And this was I think, where an editor did come in I mean, I thought thought that this was an opportunity for an answer is that […]
[…]Harry Watt pioneered, as you were saying, and it was a tremendous step forward. But for many years I used to say to Edgar [Anstey] in the old days of British Transport, I'd say, "What a pity we can't do a little more dialogue shooting, I'm sure it'll be a good idea, you know. In certain films we cou[…]
