[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]l Film Center was formed when he remained in charge and then he was Film Centre and then Arthur became involved as well, I suppose really when he was British Transport Films, the end of the war, Arthur came back and they must have formed Film Centre then because this Approach to Science film I was m[…]
[…]ell I'll go back and check with him because I think I'm screwing up and this is the head of production of Fox talking to me. I mean I just the humble British cameramen over there to make a film. And I find myself in this position but the they were so frightened of him. I went back to John and said t[…]
[…]hat's a technical job is it?11:08  DMW: No. Thank you for the question.NS: Please explain, yes.DMW: This is the elitist snobbery thing about the British. The establishment. Had I been to the wrong interviewer, I would have become a Junior Programme Engineer doing the same job. But because appar[…]
Elizabeth Furse DRAFT Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
[…]ifferent parts of the studio, you see?  ROY FOWLER: It was one large stage?HARRY MILLER: Yes, well they had two very large. This was British International Pictures, Elstree, and you’d have three units, a Hitchcock and, I can’t remember at the moment, Monty Banks, Wilcox, all the old[…]
[…] as a young Jewish kid felt quite persecuted at school. They would institute things like let's chase Schlesinger, it was a sort of pogrom. I mean the British have been nothing if not anti Semitic I think tradtionally. And I remember the sort of interest in German expressionist films at that tim[…]
