[…] or so, could I come over and join him on the second camera? With our mind? I said, no customer, because that time was a very important artist, Clyde Brooks, who played a leading part, who was charming, delightful British artist, great standing in a word, and also being a very big picture. And I rem[…]
[…] Baxter was one, and Davies was another. ThereÔÇÖs a Mel Brookes series currently playing in which ÔÇô itÔÇÖs a parody […]
[…]that time, Roy, you see, I had, I, I left at the end of 46 or beginning of 47 to join Sidney Fox. So I didn't, but yes, the other two names was Peter Brook, and we're going toRoy Fowler 47:03 have to stop getting out at.Roy Fowler 0:02 Side seven, right, Francis, we ran out o[…]
[…]irector/producer, a one-man band, I mean really nobody else had a look in by the time he was on it. But originally it was going to be directed by Mel Brooks or somebody like that, and it was going to be a completely different kind of film, and it had picked up these people along the way. And a coupl[…]
[…] include as many of the suburban Circuit and Independent screens as possible in its membership representation. We also extended an invitation to Fred Brookes the current Director of my old stomping ground, the Tyneside Film Theatre, who was more than happy to join in and indeed benefited with a nice[…]
[…]s fine because he's taken his added Teddy's added something that I didn't really. I didn't knowTeddy Darvis 9:02 that somebody Peter knew Brooke told Kevin Brownlow if you'd like to stop it just for a second.Norman Spencer 9:10 Yes, that was that way. The whole picture was sh[…]
[…] Expectations. I was playing Estella. She saw me and thought I’d be right for this new play by John Whiting called A Penny for a Song,[8] which Peter Brook[9] was directing at the Haymarket with a wonderful collection of famous people – Basil Radford, Marie Lohr, Ronald Squire – all the old theatric[…]
[…]a of my taste, why because each episode was an hour and led naturally to the next episode.SIDE 2, TAPE 1Edge of Darkness but also very much the Peter Brook rendering on film of the Indian epic Mahabarata which was tremendous subject and tremendous. These are the two productions I would have liked to[…]
[…]ddie Dryhurst: No, because most of the 'stars' as we would call them today were well-known West End actors like Henry Ainley and Milton Rosmer, Clive Brook - well Clive Brook became a film-star. And er, no they were mostly theatre people.Roy Fowler: Yes.Eddie Dryhurst: The theatre people looked upon[…]
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