[…]re very young. You're very young Deborah Carr. And, you know, it was an all star cast. And it was a wonderful opportunity for me. And I then met John Bryan, who was at the beginning Assistant art director to code his brother Vincent. But Vincent moved away from the picture, having done a lot of the […]
[…]ust while I think about it, because...
It’s, we’re on your time, not mine.
Yeah, right. [laughs] Well the thing was that, Ronnie Neame and John Bryan... It was, I always think that The Horse’s Mouth was my big break, I mean, always historically people say, well historically, whatever, that it […]
The copyright of this recording and transcript is vested in the BECTU History Project. Bryan Langley was interviewed by Arthur Graham on 18 November 1987.1. Improvising with film stockAG: We're on the different types of film stocks. What were their differences, and what were their special requiremen[…]
[…]t matter what I believe was always wrong. And. But Brian was very good because you obviously was a bit lethargic and a bit stupid and a bit thick and Bryan. I shall never forget I mean I didn't mind this and I think he did me a world of good. You did give me a rather I respect very much call you I t[…]
[…]he camein as a sergeant, and Hugh Stewart came in, he was a lieutenant I think. I think the next one to arrive was Bob Carrick, then came Alec Bryce, Bryan Langley, I never actually met Bryan Langley in London. The first time I met Brian Langley was out in Calcutta which was ages later. Then Alec Br[…]
[…] was. But anyhow... Roy Fowler: You were talking about cameramen. Bryan Langley was there at some time wasn't he? E.M. Smedley-Aston: […]
[…] one to arrive was Bob Carrick, then came Alec Bryce, Bryan Langley, I never actually met Bryan Langley in London. The […]
