[…], who doubled there between the Regal and the Slough the Delphi at Slough. So I spent quite a lot of time in cinema and as soon as I finished, except for about a month, when I was waiting for a vacancy in the area. I lost one because a bloke was there at the same interview as me he was crying his ey[…]
[…]ny bus ride from Stoll Studios at Cricklewood.Arthur Graham: What was the reaction of your parents? Was there any connection with the film business before you went into it?Tubby Englander: No, none whatsoever. What had happened is that, as I said, I had to get a job, and my mother heard that an acqu[…]
[…]at was? R: I think they've made a huge contribution. You only have to look back at all the programmes that they've made over the years. A lot of award-winning programmes at that. Again, going back to what I call the 'Golden Era' of STV, they did some incredible Dramas back then, which I happily[…]
[…]pt [Interviewer is Janet McBain, Date of Recording 14 07 2018] [Start of Recording] [00:00]I: So, this is an interview with John Agnew for the Scottish Broadcasting Heritage Group's oral history project. The interviewer is Janet McBain, the date is 14 July 2018 and the place is the ST[…]
[…]and it seemed as though - [chuckles] she told me that she was born in Carnaby Street and her father had a tailor's workshop, although that was long before my time, it was a coincidence. But anyway my mother had to just work day and night, because we had three children. And when I - instead of carryi[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]as myself. He was a specialist. He had a commercial studio in London and he became very very well known as a commercial still life painter. That is before the days of photography.R. F. What was the year of your birth?C. D. 1906.R. F. We had better have the exact date for the record.C. D. The 2nd of […]
[…]e creative challenge of news-gathering isn't big and I've had some colleagues over the years who are, in fact one particular colleague who is an Emmy award winner and is a photographer now, hated news with a passion because he could not be creative on it, you know - I hope you are listening, Mitchel[…]
[…]to happen could be ameliorated by them doing this. I mean, in the end it didn't happen. Mrs Thatcher kind of had her way in the way the licenses were awarded in 1990. But it would never have happened had Gus not been part of that big Seven as opposed to the big Five and it was great for the Company![…]
