[…]-15Interviewer: Roy FowlerInterviewee: Ella MallettTape 1, Side 1[N.B. side 3 of another interview takes up about a quarter of side 1 of this tape, before the above interview starts.] Roy Fowler : It's still the 15th June, 1988. We're still at Glebelands and we're about to talk to Ella Mallett,[…]
[…]gressive in the 1900s and it had quite an intellectual a group of boys, we came from intellectual families mainly . W. H. Auden had been there just before and at that point he hadn't been regarded as respectable. His early poems came up to the school library, I remember someone saying I couldn't tea[…]
[…] Oh! What a Lovely War (1969), for which he was awarded a BAFTA. SUMMARY: In this interview he talks in […]
[…] and My Lady’s Dress (1917), and the musical effects used for these films. She talks generally of her memories of […]
[…]pt [Interviewer is Janet McBain, Date of Recording 14 07 2018] [Start of Recording] [00:00]I: So, this is an interview with John Agnew for the Scottish Broadcasting Heritage Group's oral history project. The interviewer is Janet McBain, the date is 14 July 2018 and the place is the ST[…]
[…]s soon as he came in the door was clearly very talented, very able, very enthusiastic but capable. He delivered on what he promised, won a Journalism award and we didn't offer him, we should have said, "Right, tie this lad down!" and we didn't and we lost him and he went to ITV. So, I think you need[…]
[…]it was a hit – you can smell success. Then Franco turned up and out of all this mish-mash it was a huge hit, and he won the Best Director of the Year Award! [Much laughter] So, it was an experience. But then I worked with him again, in what about ten or fifteen years ago in a play called Absolutely![…]
[…]e really not touched...RF: Mary has a thoughtMH: As we have a minute or so, could we hear about the film, I remember watching it, the one you got the award for.LK: That was for Anthony Simmons[xlv]who is quite well knownRF: At HarlequinLK: At Harlequin and I cut two of his films, both of which got t[…]
[…] at paintings and that sort of thing. And then, from then on, I gradually became very interested in costume design. I used to go to the ballet a lot, for instance - you know, in the old days, at Covent Garden, when the remains of the Russian Ballet came over here. And all sorts of ballet companies u[…]