[…]land and that’s where I gotmy first job, at Gainsborough Studios, as studio manager’s secretary.1: You just sort of went there and, you know, applied for a job and...?Yes. I was looking for a job and I saw the Gainsborough lady on the roof. I had just seen James Mason in The Wicked Lady, so I w[…]
[…] photography Billy Williams: Yes I did. I got the BSC Award for that for Best Cinematography. That was anamorphic. And […]
[…]claimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…] Well, it must be in the early 60s early. By that time here, Richard. Anyway, the thing was, in the end, for some unknown reason, I won an award from the International publishing company, critic of the year. Like God knows how I run it because the work wasn't really Stanley Forman&nb[…]
[…]eah, exactly.Lew Grade : And England has the, Britain has the top technicians in the world, they're amazing.Alan Sapper : Well, the number of Academy Awards they got! The number of awards they got all over the world! It proves your point.Lew Grade : They're tremendous, very tremendous.Alan Sapper : […]
[…] Jim Shields he talks about his career creating sound effects for films such as Lawrence of Arabia (1962), Bridge on […]
[…];My name is wasI Mahmoud. I was born in Lahore in Pakistan, and my nationality is British. Okay.Unknown Speaker 0:20 And have you won any awards for your work?Speaker 2 0:24 Yeah, I was awarded an OBE in the 2005, New Year's Honours List for contribution to the reconstruction[…]
[…]e said to me that he enjoyed coming here to do effects because he never knew what bloody thing I was going to give him to make a noise with. And therefore, even with all the skills and knowledge of his himself, because we all know how good he was and so on, I mean the point is that this to him he sa[…]
