[…]I’m not part of that collections management that, you know, ensure the vaults are working correctly, and so on, although I work with them on policies for keeping and accessing film. But otherwise it’s the film lab teams, and the graders, and film conservation specialists who inspect, examine, compar[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]he great wombs of animation, turning out all these little babies, you've got the OBE and your laden down with honours and prizes and life achievement awards and you’ve got an EMMY from our American friends, so your great talents are recognised worldwide and it has been a remarkable life, quite remar[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]BH: Yes, into television. Television started in 1946 and I with a lot of the others applied to go over. We were accepted and of course we went over before the studios opened. In those years we had two studios, A and B. One was Marconi and the other was Baird. We did a week in each studio. So we used[…]
[…] then. Actually Charlie Wheeler once said to me he remembered working as a prop man there with my father. [Laughter] So we stayed there at Teddington for some time and I went to a private school there and then to another private school and eventually ended up at a boarder at Castle Hill School in We[…]
