Name of interviewee Susan Crockford DRAFT Tape 1 Side AThis transcription was provided in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, Leeds University) and Dr Vicky Ball (Co- Investigator, De Montfort U[…]
[…]wful and I kept it going for ten episodes. So I was paid to direct the film. When I'd done all ten episodes, which I may say, this film has won eight awards world-wide, and Frank Godwin will verify this, they had a hundred and eighty four pounds left in the budget, so I got eighteen pound forty per […]
[…] episodes, which I may say, this film has won eight awards world-wide, and Frank Godwin will verify this, they had […]
[…] the 1940s, he worked in B-feature production, particularly horror films, for much of the 1950s and 1960s. SUMMARY: In this […]
[…]ery early in life, very early. And there was a big family law suite and they bought him out of the family business. He didn't do anything after about forty.Roy Fowler: Oh, what a lucky man!Vernon Sewell: Yes, he was. [Chuckling]Roy Fowler: What was the family business? Out of curiosit[…]
[…] came out of it and that got the Krasner -Krauz award, or one of those - CJ: =t did indeed. […]
[…]ilm, his bits and we did 6 of those. And it was very successful so we did 7. And because it was so different I got what was the equivalent of a BAFTA award and so did Stanley. It was very successful.John Taylor: What was the show called.Jimmy Gilbert: On the bright side and that was really the first[…]
[…]oon that you're working late that night, and that was it. Your food was laid on and the food was laid? Yes, yes, they organised some food, but it was award terribly crude. And if it was a good production, the food was alright if it was a bad production, like, for example, Mother Riley, it was sandwi[…]
