Search Results for: Camera Director

[…] hand feed him. I would draw up a little tiny camera plan of the sets for him so he knew […]

Roll 18 June 2010Interviewer: Mike DickInterviewee: Joy CuffCamera Ruth Bolland The copyright is vested in the BECTU History Project.  0:00:04.7 MIKE: The copyright of this recording is vested in the BECTU History Project. The name of the interviewee is Joy Cuff, ne Seddon   […]

[…] Rupert used to, in fact Rupert Davies who played Maigret used to rely on me to because I used to really hand feed him. I would draw up a little tiny camera plan of the sets for him so he knew where he was going in the, in the actual studio.He wasn’t very hot on the lines I believe? No, he wasn’t, [[…]

[…]n  7:41Joe. They the king of Greece for as being shown around the studios by Joe with a little entourage behind him. And Joe was indicating this cameras and this new sound equipment and they've got in and so on and so forth. Then you turn ratio but of course you manage all this must be Greek to[…]

[…]making tea and things like that, to load the magazines with film. It was Western Electric system. They were Mitchell magazines just as we used on the camera. But as it was positive stock it was used for sound recording at least we could have a red light in the darkroom so it was not quite such an or[…]

[…]and I remember that, after I had been there for about a month, Jack Chambers… oh, and there was Wolf Suschitzky who was there too. TD:  The cameraman. AY:  The cameraman, he was a part of this group and Jack Chambers said to me: “Would you like to go and make a film up.. and make[…]

[…]ct, a lot of their stuff a lot of those things were were throwbacks to the to the early silent comic films and I think you know the liberation of the camera i mean i i mean on six sided  triangle which I was Boulting brothers gave me a production manager to do oversee the shoot, which we did in[…]

[…]rlie Frend has the director credit.Robert Beatty: I mean Charlie Frend.Roy Fowler: Robert Hamer is listed as associate producer. Ernie Palmer was the cameraman.Robert Beatty: All very pleasant people, everybody was very sweet down at Ealing. It was a real family atmosphere down at Ealing. They ate t[…]

[…]a title?Reg Sutton: Sound recordist.Roy Fowler: Then what? Tell us about Movietone then and how they operated?Reg Sutton: One would work with a sound cameraman. And you'd have a car, I started with a Sunbeam Talbot, the roof of which was specially reconstructed and strengthened and rubber lining put[…]

[…] Martin Gray who was the soundman and he transferred to camera. We can't all be perfect, so I went in […]