searchwp results - BEHP - British Entertainment History Project

Gordon McCallum

[…] had turned over. I omitted to say that - the camera was running of course, the picture and sound were […]

HP0024 Sheila Collins – Transcript

[…] come from? Mole-Richardson’s the electrics. I can’t remember where the camera equipment… It would have come out of the studios. […]

[…]So you didn't sit beside him and do it. He just took your script and Elizabeth Bale 24:48 Well, you see, we do the sort of camera script and the links for the other film inserts, but his commentary was always on separate piece of paper, and there was no auto queue in those[…]

Brian Pritchard

[…]sts in films and photography developed and what were your first experiences of colour photography?BP: Well it all started when a friend of mine had a camera, a movie camera, and I thought this was really interesting and I asked whether I could borrow it and he said yes and I bought a couple of films[…]

Norman Warren

[…]So the next obvious stage for me really was that I wanted to start making films. And so, for another birthday, thank God, Pathéscopeproduced a little camera called the Pathé Pat and it was six guineas, so that waswithin the range of my father, if he got it on HP [Hire Purchase] he could actuall[…]

Eileen Diss

[…]as an interesting exercise just in planning. I used to enjoy doing the studio plan because not only was it planning the sets but also the rotation of cameras, you had to make sure that one was able to leave to pick up for the next scene and of course the artists had to get around and get there and w[…]

Frank Littlejohn

[…]p;but he was the man who left Technicolor to give them some competition. Before the war we only had four cameras, I think that's worth mentioning, fourcameras, which weren't very much demand at first, but as colour began to catch onwere ver[…]