[…]y in your mind from those days at The Bush, those war years? We've mentioned Leslie Arliss... Andy Worker: Arthur Crabtree was another director, cameraman who became a director... Roy Fowler: Yes. Andy Worker: Bernard Knowles... Roy Fowler: Yes. Andy Worker: Val Guest of cou[…]
[…].Stephen Peet: Was that one called Out to Play?Philip Leacock: Out to Play was the first one, yes, which I really didn't do anything except for carry cameras and stuff like that. And we did - [distracted as the door swings open] just slam it, I think you had to slam it a bit. That's it. And it's - h[…]
[…] gentleman who looked at meas if I was nothing. You want to go into films, what do you want to do?I don't know. I just want to be in films. I suppose cameras is the mostinteresting. I was expecting to be a clapperboy, I thought that was thebeginning of everything. He said well they need someone in t[…]
[…] of Televisi on Production’ when it was all multi - camera and live, important to write shooting script accurately. He […]
[…] that, so D. P. Field now needed a new sound camera operator. So anyway John Aldred was given the job […]
[…] with the local school master John Jones to operate the camera and a friend of Gavin's who was I think […]
[…] Worker: Oh yes, hmm. Roy Fowler: In front of the camera or behind the camera? Andy Worker: Well Terry Fisher […]
[…]hearsay, I knew nothing about Pinewood!" "Well" he said, "you've got to go off to the Great Central in London, you and about ninety-nine others, on a cameraman's course." This is how Pinewood got me. A cameraman's course was a War Office posting. Your regiment could have no say in the matter. So any[…]
[…]that happened. So I've continued in that position until the present day, although the title has changed a couple of times. And after a few years, the camera department of the studio which had been headed by Bert, Easy that Bert Easy. I think he retired and then like Alan Wadley abruptly diedand that[…]
