Search Results for: Camera Director

[…] M an Eric Grey and got a job as still camera assistant. Started on £2. 10d. This was a good […]

[…]lled jewel in the jungle, which is a film starring Dana Andrews Jeanne crane. Derek fall. Anyway, Tony succumb to an accident that was a that was the camera was mounted on a raft on the Zambezi and was tethered by literally got a photograph by two ropes. Basically, our cameraman was on there and Ton[…]

[…]ion then.  Not drawing live but just simply illustrating his stories which he read.  (TIME 10:12)  DARROL BLAKE:  Captions? … The camera looked at?NEVILLE WORTMAN:   Yes, that’s it.  That’s right.  And that sort of developed.DARROL BLAKE:  So that was BBC befo[…]

[…]ricky.So you need to be friends with the hairdresser.Phyllis Dalton Page 26And what about the make-up side, because I know that’s related to the cameraman as well,the lighting.Yes, well luckily it doesn’t affect the costume quite so much, although you might say, wellthat’s a bit much, or not en[…]

[…], Frank Cresswell and Cyril Wilkins, Sammy Sampson and John Brockbank. And Paddy Rigg and I were allocated to sound Frank and Cyril were allocated to cameras, and they became dolly pushers. And Sammy and Brockbank went to telecine to start off with, with Newman, who was in charge of telecine, Sammy […]

[…]y! He was both together, that was the magic.Jean Anderson: He was enchantment, he won the hearts of everybody, he was so funny. You couldn’t turn the camera on him, without getting something quite remarkable.John Legard: Can I just interrupt and ask Margaret, how many children did you have to choose[…]

[…]p;been given the job with Peter Hennessy of all people who was after all a cameraman. We were slammed into the cutting room in a hurry. The doctor upper cu[…]

[…]nbsp;mean on the on the crew clothes on the floor the famous for forum for camera for sound for Charlie was very protective of that. He was trying to be&nb[…]

[…]Being in this film printers they also taught me how to wind film onto the drum like they had in those days for drying. Bryan Langley was a well-known cameraman, he was also working for my father and he taught me how to turn a camera, in those days 16 frames.SC: Because it was silent days still.RP: S[…]

[…]– I don’t know if you are interviewing him – but he will extrapolate on how film is supposed to move a little bit, you know, in the projector, in the camera: if it’s absolutely rock-steady you should be suspicious. It’s not going to be like the original. Digital restoration loses that patina very of[…]