Vivienne Collins

[…]I think we were both very fond of each other at that stage. And he introduced me, he was a dentist and he introduced me to a patient of his who was a cameraman at Crown.Who, sounds very interesting.Yes. And he actually talked to me about the whole documentary film movement, and this stirred up a gre[…]

Ann Meo

[…]there, to get there and even in the middle of the show… [15:02]This was actually being televised, yes. Well, it was being… Were you on camera? I would have been, had I been round there, but in order to avoid climbing over this thing these blasted, one of these blasted union mania[…]

John L Hargreaves

[…]he was Virginia double and we made the pitch and nobody knows that Virginia wasn't allowed. And I slid down dam and chuckling worked wonders with the cameraman. The angles is the side shots, you know, marvellous film, and it's still taking money out much better than the other one that was made the s[…]

Eric Cross

[…]view: 6 March 1987 Interview length (mins): 1.25[WA note: There might be a second interview with Eric Cross] Arthur Graham: Eric Cross, Lighting Cameraman. Eric where were you born and when?Eric Cross: Finchley, 31 May 1902.Arthur Graham: What kind of schooling did you receive?Eric Cross: Prett[…]

Rebecca O'Brien

[…]hrew in the job to go and do that and and I it was advertised. It was this little company called crosswind films, basically an American guy who had a camera and a Nagra, and he had, like, his little 16 mil camera and inaugural, and he had some a few lights, and he set himself up in whopping in a lit[…]

John Schlesinger

[…]us Station and I said no, I'd rather do Petticoat Lane. So they agreed that I could do Petticoat Lane as a little tiny short essay. And I went with a cameraman who was very famous in those days, Tubby Englander and I knew in my heart of hearts that I was auditioning and they were going to ask Tubby […]

F E (Ernie) Diamond

[…]the whole wall away again, because they hadUnknown Speaker  22:05  to we took them out and we filmed it with stop action with a stop action camera so that when you joined up they actually came out. But the thing that fascinated me about the soundstage at Ealing was the roofing because the […]

Adolph Simon

[…] rough workplace [???] I rebuilt, rebuilt that and fit it with better equipment, which did a lot of [???] â€‹Q:​Were you actually working with the camera? 00:07:30​ADOLPH:​Yeah, with the, you were doing everything really. [???], [???], camera, you develop your [???], print it and all, do wha[…]
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