Search Results for: Camera Director

[…]o you remember?I’m not sure whether Arthur Crabtree was the director.1: Oh yes, I think he was, that’s right.And Reg Wyer, I’m not sure if he was the cameraman this time, my memory’s a bit goneto those days at the moment.1: I have the same problem. [laughter] Oh yes. But how many films did you […]

[…]nterrupted by breaks in the tape. It is unclear whether this is the due to censorship or to the recording being paused on site.)Desmond Dickinson (DD)Camera, DirectorBECTU No. 111Interviewers: Ralph Bond (1963) (RB), Kevin Brownlow (1972) (KB)05/07/1963 and 30/07/19723 Tapes Interview with Ralp[…]

[…] ducked. And Peter would be, be sort of urging the cameraman to give of their best and going ‘Back, back, […]

[…] interest in film began with the gift of a 9.5mm camera and projector. He became a regular filmgoer, although increasingly […]

[…]went off into doing that sound editing and became quite influential, and worked on lots of the Bond films. So that was one link up there. The Russian camera side of things in those days, was under a guy called Charles Petters. And his his assistant to him was a guy called Graham Oren. And Charles Pe[…]

[…]documentary company for about a year, but it wasn't really my cup of tea. I've been writing to various studios and things mainly trying to get in the camera department, which everybody wants to do. They always want to get in the camera. And I managed to one of the places I wrote to it was a small st[…]

[…]sp;                       Q:  Even camera equipment00:56:24        JIM WHITTELL:  ?? lighting, great competitor to you, or to your brother. […]

[…]’d lost, you know, the cross slowly tumbled down [Laughter] and crashed on the studio floor, we all ducked. And Peter would be, be sort of urging the cameraman to give of their best and going ‘Back, back, back’, crash in to the studio wall, you know. [Laughter] But he was very inspiring and, mm…And […]

[…]ave them all the shots and the plan, which shots they should take. So they the vision mixer pressed, you know, the cues where they should come in the Camera Cuts and changes. And that was great for the orchestra. I show you photographs of that before you go. You know, once again I had the black glas[…]