Robin Walsh

[…]en Belfast and dairy intolerant burn toilet bridge. AndUnknown Speaker  11:05  I was at burn TalatUnknown Speaker  11:07  was the cameraman? And it was, it was pretty scary, you know.Unknown Speaker  11:15  So there was plenty of that about, you know, marches in Uri Pai[…]

Peter Williams

[…]t 5.30! I got out of my A40, hopped into the studio, and virtually was on the air within about 20 minutes. And it was a tiny, tiny studio with 2 cameras, and only one cameraman. And it was he who sprinted from one camera to the other. Of course what he did was to lock off one and operate the ot[…]

Peter Ansorge

[…]last one? Would he would he fail? and this was talked about the whole time. And it was fantastic. At the same time, you had some of the most talented cameramen in the country, particularly the Willard mighty and Ken Morgan, who lit looking Hitler. And they would be, you know, one day working on Liku[…]

Roger Bernard Newbold Smither

[…]t by shot. So for every shot even if it was only a couple of feet long, you’d have to write down a sequence number, shot number, start with …footage, camera angle, composition of shot, close-up, medium close-up, whatever, a description of what was happening for those two feet, and the transcript for[…]

Hazel Allen

[…]ng in, it takes a long time for an artist to be able to work into doing something and getting exactly what you want. And just as you're ready to roll cameras or the TV show, the union says it's time for a break or you're going to pay double time or triple time or what have you. And that used to infu[…]

Laura Mulvey

[…]ura Mulvey[LM]       Interviewer: Emma Smart (BFI) [ES]: Date 27th November 2007Other crew:  Christophe Dupin[CD], cameraCD [Inaudible, possibly Come on In] off camera.00.04 ES: OK so could you just start off with some biographical details, where you were born, you[…]

Bobbi Riesel

[…]didn't I should start okay. And he was born 1978 as I say. Bobbi Riesel  5:49  He grew up being told you, do not look at the camera. Bobbi Riesel  5:58  He was often shot in the films. He was always part of the films. He came to hate being in front o[…]

Mike Hodges

[…]companies that overstaffed to begin with, and they were now shedding staff. So it was even worse and I'd applied to the BBC to get a job as a trainee cameraman and failed that. I mean, I, you know, they'd ask if you're a member of a camera club, or I mean, it was bizarre trying to get into televisio[…]
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